Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
|---|---|---|---|---|---|---|
| Cynthia Cozette Lee | Ebony Reflections | Chamber Orchestra | Professional | |||
| George Walker | An Eastman Overture | Full Orchestra | 5-10 | Professional | 2+Picc.2+EH.2+BCl.2+Cbsn: 4.4.3.1: Timp.Perc(4).Hp: Str | |
| John Aaron Lewis | Milano | String Orchestra | Vibraphone, Piano, Bass, Drum set | 5-10 | Professional | str |
| Rachel Eubanks | Symphonic Requiem | Professional | ||||
| James Lee, III | Ichabod! The Protest is Over! | Full Orchestra | 10-20 | Professional | 2222; 4231; timp, perc; stgs | |
| Courtney Bryan | Rejoice | Full Orchestra | 10-20 | Professional | 3*3*3*3* – 4331 – Timp + 2 – Hp – Pno – str | |
| Hall Johnson | Festival March (to the Black Soldiers of America) | Full Orchestra | Professional | |||
| Kenneth Amis | Bell-Tone's Ring | Full Orchestra | 5-10 | Grade 3 | picc22eglhn233-4331-tmp+5-st (opt. organ/chorus SATB) | |
| Alvin Singleton | Again | Chamber Orchestra | 5-10 | Professional | : 1(pic).1.1(bcl).1-1.1.1.0-perc(mar, 4bng, 2tom-t)-pno-str(1.1.1.1.1) | |
| Ulysses Kay | Umbrian scene, W91 | Full Orchestra | 10-20 | Professional | 2222, 4331, timp, perc, harp, strings |