Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration | Dedications | Number of Movements |
|---|---|---|---|---|---|---|---|---|
| Samuel Coleridge-Taylor | Ballade for Violin and Orchestra, op. 4 | Full Orchestra | Violin | 10-20 | Professional | 2222-4230-tmp-str | ||
| William Grant Still | Quit Dat Fool'nish | Full Orchestra | Under 5 | Professional | 2.2.2.2+sax/3.2.2.0/timp/hp/str | |||
| H. Leslie Adams | Love Expressions | Full Orchestra | 10-20 | Professional | 1111-1110-2perc-hp-pf-str | 2 | ||
| Bill Banfield | Symphony No. 3: Jobs Song | Full Orchestra | Professional | |||||
| Ulysses Kay | The shape of things W76 | Chamber | 10-20 | Professional | 1011; 2100; perc, harp; strings | |||
| George Walker | Da Camera | String Orchestra | Chamber | 10-20 | Professional | Violin, Cello, Piano, String Orchestra, Harp, Celesta (amplified), Timpani, Percussion (2) and Optional String Ensemble (approx. 6.5.4.4.2 youth ens) | |||
| Earl Lewis Stewart | Three Charts | Chamber | Flute | Under 5 | Professional | |||
| George Lewis | Memex | Full Orchestra | 10-20 | Professional | 3[1.2.3/pic] 3 3[1.2.3/Bcl] 3[1.2.3/Cbn]-4331-timp-perc(3)-str | |||
| Fred Onovwerosuoke | Suite No. 2 for String Orchestra | Full Orchestra | 20+ | Professional | 3,2,2,2/ 2,2,2,1/ Timp., 2 Perc/ Strings VI-CB | |||
| Ulysses Kay | Choral Triptych | String Orchestra | 10-20 | Professional | Str SATB Chorus |