Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration | Dedications | Number of Movements |
|---|---|---|---|---|---|---|---|---|
| Bill Banfield | Symphony No. 6: Four Songs For Five American Voices | Full Orchestra | Professional | |||||
| William Grant Still | The Little Song that Wanted to be a Symphony | Full Orchestra | Narrator, Soprano, Soprano, Soprano | 10-20 | Professional | 2(2nd=picc).2 (2nd=EH).2.2./3.3.2.1/timp+3 (bells, glock., xylo., slap stick, maracas, castanets, trian., tamb., wood blk., drums, cymbs)/hp,cel/str + narrator, 3 sop., or str. substit. | ||
| Olly Wilson | A City Called Heaven | Chamber Orchestra | 20+ | Professional | fl-cl-vln-vla-perc-pno | |||
| Jeraldine S. Herbison | Ain’t I a Woman, Narrative for Voice and Orchestra | Full Orchestra | Narrator | 10-20 | Professional | 2222-4221-timp-perc-st | ||
| Anthony Barfield | Heritage | Brass | Euphonium | 10-20 | Professional | |||
| Samuel Coleridge-Taylor | Petite suite de concert, op. 77 | Full Orchestra | 10-20 | Collegiate or Above | 3[1.2.pic] 222-4230-timp-perc(3)-str | |||
| Julius Penson Williams | Cinderella Ballet Suite | Full Orchestra | 10-20 | Professional | 2222/4321/strings, perc. | |||
| T.J. Anderson | Classical Symphony | Orchestra | 10-20 | Professional | 2222-4231-Timp-Perc-Pf-Str | |||
| Samuel Coleridge-Taylor | Legend from the Concertstück, Op. 14 | Full Orchestra | Violin | 5-10 | Professional | N/A | ||
| William Levi Dawson | Negro Work Song | Full Orchestra | 5-10 | Professional |